No natural light? No problem.
Learn the trick of bouncing an artificial light source off of a matte surface for a diffused effect on the lighting. Lighting is the most basic photography principle that every wedding photographer should know and learn about for the simple reason that the kind of lighting that you get to play around with can make or break your wedding photo shoot. That is mainly one of the reasons why as a wedding photographer, you should always assess the wedding venue before the actual wedding day and advisably at around the same time that the wedding is actually happening so that you can recreate the lighting situation or at least mimic it and prepare enough for it during the actual wedding day.
If you are dealing with an artificial light source, it can be a bit harsh and the contrasts you end up producing during the process can turn out to be a little too sharp for comfort. You need to go out of your way to come up with some kind of diffusion tactic for your narrow light source as much as possible. Bounce it off of a matte white surface such as a white wall and observe the kind of lighting you get. You will most likely get a diffused kind of lighting that is quite flattering all across the board.
Light shone right in front of the subject can de-emphasize texture.
Try to avoid doing this, if you can help it. Artificial and extremely bright light shone right in front of your subject’s faces can turn out to wash out their features and it’s not a look that can turn out to be flattering for anyone, no matter how hard you may try to make it work. It just won’t. It doesn’t work that way and you should try to avoid it at the best of your capabilities. Unless your intent was to drown out the features up to the point wherein the said features will turn out to be almost erased already, then don’t go for the front light.
Backlight works great for a diffused lighting as well.
Another great lighting trick that would be nice to have up your sleeve all of the time as a wedding photographer based in Milton Keynes is the aspect of using a backlight. Lighting the set up from behind the subject’s back can give out that halo effect that will make the light feel kind of scattered and soft. It is something that can really work for portrait shots or even for the couple shots and group shots. This is something that you should take note of in particular especially if you are shooting indoors and you somewhat have some kind of control over the kind of lighting that you will be using during the photo shoot.
Broad light is always a great lighting option.
If you are at a loss about lighting, the best rule of thumb that you can take note of and take to the bank every single time is the fact that broad light is something that you should always try to go for. Broad light equates to soft and flattering light whereas narrow light equates to harshness and being full of contrasts.